
In the golden haze of Hollywood’s endless summer, some stars seem to burn brighter, their charisma and talent etching them indelibly into the hearts of fans across generations and continents. Julian McMahon was one such star—a man whose striking looks, magnetic screen presence, and unmistakable Australian charm made him a household name from Sydney to Los Angeles, from the glitzy sets of Charmed and Nip/Tuck to the living rooms of millions. But this week, that light was extinguished far too soon, as news broke that Julian had d!ed in Clearwater, Florida, at just 56, following a private and courageous battle with cancer. The shockwaves rippled outwards, touching not just those who knew him, but the legions who grew up with his characters, who swooned for Cole Turner, who marvelled at the audacity of Dr Christian Troy, who found comfort in his easy smile and infectious joy for life.
It was Julian’s wife, Kelly McMahon, who broke the devastating news, her words echoing with both heartbreak and gratitude. “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, d!ed peacefully this week after a valiant effort to overcome cancer,” she told Deadline, her statement a rare window into the private world of a man who, despite his fame, kept the most intimate battles hidden from public view. “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible. We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories.”

The memories, of course, are legion. Born into privilege as the son of former Australian Prime Minister Sir William “Billy” McMahon, Julian’s early years could have unfolded in the hushed corridors of power or the stuffy boardrooms of business. But the young McMahon was never destined for a quiet life. With a jawline that could cut glass and a restless energy that refused to be contained, he first caught the public’s eye as a model, his brooding good looks gracing magazine covers and advertising campaigns across Australia. But it was acting that truly captured his imagination, and by the late 1980s, Julian was making his first tentative steps onto the small screen.
It was in the sun-drenched world of Home and Away that Julian first became a fixture in Australian living rooms, his role as Ben Lucini from 1990 to 1991 marking him as a rising star. The soap, a launchpad for so many Antipodean talents, gave Julian the chance to hone his craft, to charm audiences with a smile, a wink, and a hint of mischief. It was also where fate intervened, as he met Dannii Minogue, the pop princess and sister of Kylie, sparking a romance that would capture the tabloids’ imagination and later lead to marriage.
But Julian’s ambitions were never going to be contained by the boundaries of Ramsay Street or Summer Bay. Hollywood beckoned, and in 1992, he made the leap that so many Australians dream of but so few achieve. His first American break came in the soap Another World, playing the dashing Dr Michael Walsh. He quickly made a name for himself as a reliable leading man, his combination of vulnerability and swagger making him a favourite with casting directors and audiences alike.
Yet it was the supernatural drama Charmed that would catapult Julian into the stratosphere of global stardom. Cast as Cole Turner, the brooding half-demon, half-human love interest of Alyssa Milano’s Phoebe Halliwell, Julian brought a complexity and depth to the role that elevated it far beyond the usual genre fare. Cole was dangerous, tortured, romantic, and unpredictable—everything a generation of viewers wanted in a television anti-hero. Fans swooned, critics took notice, and Julian, with his trademark intensity, became a staple of late-90s and early-00s pop culture. For many, the image of Cole and Phoebe’s star-crossed romance remains one of the defining storylines of the era, a testament to Julian’s ability to bring both darkness and tenderness to even the most fantastical roles.
But if Charmed made him a star, it was Nip/Tuck that cemented his legacy as one of the most daring and dynamic actors of his generation. As Dr Christian Troy, the morally ambiguous, endlessly charismatic plastic surgeon at the heart of Ryan Murphy’s groundbreaking series, Julian delivered a performance that was both fearless and unforgettable. He was seductive, flawed, sometimes monstrous, yet always human—a walking contradiction who embodied the show’s exploration of beauty, vanity, and the dark side of the American dream. Over six seasons, Julian’s portrayal earned him a Golden Globe nomination and the kind of international acclaim that few Australian actors ever achieve. Nip/Tuck was provocative, controversial, and utterly addictive—and at its centre was Julian, the beating heart of the show, holding audiences captive with every smirk, every confession, every moment of vulnerability.
Off-screen, Julian’s personal life was as eventful as any of his scripts. His marriage to Dannii Minogue in 1994 was the stuff of tabloid legend—a whirlwind romance played out in the glare of the paparazzi, complete with a cameo in her music video for “This Is It,” a song inspired by their relationship. But the demands of duelling careers—his in America, hers in the UK—proved too much, and the couple separated just eighteen months later. In 1999, Julian married Baywatch star Brooke Burns, and together they welcomed a daughter, Madison, in 2000. But again, the pressures of fame and distance proved insurmountable, and the marriage ended in 2001. It was not until 2014 that Julian found lasting happiness with Kelly Paniagua, the woman who would stand by his side through the most difficult chapter of his life.
Despite his international success, Julian never lost touch with his Australian roots. He spoke often of his dual identity, describing himself as “Australian on the inside and American on the outside.” He cherished his upbringing, the sense of humour, the irreverence, the easy camaraderie that defined his homeland. “I love Australians, Australianisms, I love my part of being Australian. I love where I grew up and how I grew up and, you know, I wouldn’t change it for the world,” he once said, his words a reminder that, beneath the Hollywood polish, there remained a boy from Sydney who never quite left home behind.
In the years following Nip/Tuck, Julian continued to reinvent himself, refusing to be typecast or to rest on his laurels. He took on the role of Jess LaCroix in FBI: Most Wanted, bringing gravitas and emotional depth to the series for three seasons before his departure in 2022. He lent his voice to Dr Doom in the 2005 Fantastic Four video game, delighting fans with his ability to blend menace and charisma. His final film roles, in The Surfer and The Supremes at Earl’s All-You-Can-Eat, were a testament to his versatility and enduring appeal. Just this year, he portrayed Prime Minister Stephen Roos in Netflix’s The Residence, a fitting final bow for a man who spent his life straddling the worlds of politics, entertainment, and family legacy.
Yet for all the accolades, the magazine covers, the screaming fans and glittering premieres, those who knew Julian best say his greatest joy came not from fame, but from connection. He was, by all accounts, a devoted father, a loyal friend, a generous colleague. He brought a sense of fun and mischief to every set, a willingness to laugh at himself, to lift others up, to make even the longest days feel lighter. His colleagues remember him as a consummate professional, someone who showed up prepared, who cared deeply about his craft, who treated everyone—from the director to the catering staff—with the same warmth and respect.
As news of Julian’s passing spread, tributes poured in from across the globe. Co-stars shared stories of his kindness and humour, fans flooded social media with memories of the characters who had shaped their lives, and industry insiders spoke of a man whose talent was matched only by his humility. For so many, Julian was more than just an actor—he was a symbol of possibility, a reminder that it was possible to come from the other side of the world and make it in Hollywood, to reinvent yourself again and again, to live with passion and purpose.
His D3ath, though not entirely unexpected to those closest to him, has left a void that will be hard to fill. Cancer is a cruel thief, robbing the world of its brightest lights long before their time. But in his final days, surrounded by family, Julian found peace—a testament to the strength and grace with which he faced even the most daunting challenges. His wife’s words, raw with grief but suffused with gratitude, speak for all who loved him: “His deepest wish was to bring joy into as many lives as possible… We are grateful for the memories.”
And what memories they are. The thrill of seeing Cole Turner sweep Phoebe Halliwell off her feet; the audacity and vulnerability of Dr Christian Troy; the gravitas of Jess LaCroix; the laughter and warmth that radiated from every interview, every fan encounter, every moment on set. For a generation of viewers, Julian McMahon was a constant companion—a reminder that, even in the darkest of storylines, there was always hope, always the possibility of redemption, always a reason to smile.
As the credits roll on Julian’s remarkable life, we are left with both sorrow and gratitude. Sorrow for a talent taken too soon, for the roles he will never play, the stories he will never tell. But gratitude, too—for the joy he brought, the barriers he broke, the memories he leaves behind. In the end, perhaps that is the true measure of a star—not the awards, not the box office, but the lives touched, the hearts lifted, the joy that endures long after the final curtain falls.
Rest well, Julian. You brought joy to more lives than you could ever know. And in the flicker of every screen, in the laughter and tears of every fan, your light will shine on—forever young, forever beloved, forever unforgettable.

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